Inconsistent DTV audio loudness, or the so-called "loud commercial problem" is the number one complaint of television viewers and it is driving them away. Are you delivering the best sounding audio possible? If the answer is no, do you have time to m..
AERO.one DTV
Inconsistent DTV audio loudness, the leading complaint of television viewers, is solved easily by the Linear Acoustic AERO.oneTM DTV audio/loudness manager. This third generation audio processor offers broadcasters the simplest and most..
Audio for mobile DTV presents new challenges. The dynamic range "comfort zone" used for mixing television audio for viewing on stereo or surround in-the-home televisions is far too wide for comfortable listening on typical earbuds or tiny speakers. B..
The LQ-1000 provides comprehensive loudness and peak level metering of up to eight channels of 5.1 surround and/or stereo AES or SDI audio per industry-standard ITU-R BS.1770, a crucial requirement for mixing and transmitting in compliance with ATSC ..
The LQ-1000 provides comprehensive loudness and peak level metering of up to eight channels of 5.1 surround and/or stereo AES or SDI audio per industry-standard ITU-R BS.1770, a crucial requirement for mixing and transmitting in compliance with ATSC ..
The LAMBDA-II displays both audio and metadata, and allows simulation of metadata effects to provide
accurate monitoring. The base model includes standard features like AES and HD/SD-SDI inputs, ITU-R
BS.1770 loudness measurement, and a premium aco..
AERO.file brings Linear Acoustic multipass scaling, loudness range control, and UPMAX-II® upmixing and downmixing to file-based workflows, without the need for external hardware devices.
AERO.file was designed in collaboration with RadiantGrid Te..
